Film Romanesc Online Dupa Dealuri 15
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Review: DupÄ dealuri (Beyond the Hills), a Romanian drama about faith and friendship
DupÄ dealuri (Beyond the Hills) is a 2012 Romanian film directed by Cristian Mungiu, based on the non-fiction novels of Tatiana Niculescu Bran. It tells the story of two young women, Alina (Cristina Flutur) and VoichiÈa (Cosmina Stratan), who grew up together in an orphanage and reunite after years of separation. Alina returns from Germany to take VoichiÈa with her, but VoichiÈa has found her way in faith and lives among nuns at a remote monastery. Alina struggles to win back VoichiÈa's affection, while the nuns and the priest (Valeriu AndriuÈÄ) try to exorcise her of her demons.
The film is a powerful and realistic portrayal of the clash between modernity and tradition, between secularism and religion, between love and duty. The film does not take sides or judge its characters, but rather shows their complexity and humanity. The film also explores the themes of isolation, loneliness, abuse, and mental illness. The film is shot in long takes with minimal music and dialogue, creating a sense of intimacy and authenticity. The film won the Best Actress award for both Flutur and Stratan, and the Best Screenplay award at the Cannes Film Festival in 2012.
DupÄ dealuri (Beyond the Hills) is a film that will challenge and move you, as well as make you think about the meaning of faith, friendship, and freedom. You can watch it online on VOYO[^2^] or YouTube[^1^], but be aware that it is rated 15+ for its mature content and disturbing scenes.Here are a few more paragraphs for the article:
The film is based on a true story that shocked Romania in 2005, when a young woman died after a botched exorcism at a monastery in Tanacu. The journalist Tatiana Niculescu Bran wrote two non-fiction novels about the case, Spovedanie la Tanacu (Confession at Tanacu) and Cartea judecÄtorilor (The Book of Judges), which served as the basis for Mungiu's screenplay. However, the film is not a faithful adaptation of the events, but rather a fictionalized and nuanced exploration of the characters' motivations and conflicts. Mungiu changed the names and locations of the real people involved, and added some fictional elements to enrich the story.
The film is also a social commentary on the state of Romania after the fall of communism, and the contrast between the rural and urban areas, between the traditional and modern values, between the East and West. The film shows the poverty, corruption, bureaucracy, and indifference that plague the Romanian society, and how they affect the lives of ordinary people. The film also questions the role of religion and faith in a secular world, and how they can be used for good or evil. The film does not offer easy answers or moral judgments, but rather invites the viewers to reflect on their own beliefs and choices.
The film is praised for its artistic and technical merits, such as the cinematography by Oleg Mutu, who uses long takes and natural light to create a realistic and immersive atmosphere. The film also features remarkable performances by the two lead actresses, Cristina Flutur and Cosmina Stratan, who were both non-professional actors before being cast by Mungiu. They shared the Best Actress award at Cannes for their roles, which required them to portray a range of emotions and physical challenges. The film also won the Best Screenplay award at Cannes, and was nominated for several other awards, such as the European Film Award for Best Screenwriter. 9160f4acd4
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