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Get StewieFamily Guy : Season 21 Episode 8


Family Guy, the long-running Fox adult animated series, is back with season 21, which will feature an all-star guest voice cast and a major series milestone: its 400th episode. Ahead of its return in September, ET has an exclusive, extended look at the upcoming episodes that were shown inside Ballroom 20 during the third day of the San Diego Comic-Con 2022 as well as additional details about the stars lending their voices to the new season.




Get StewieFamily Guy : Season 21 Episode 8


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"Brian & Stewie" is the 17th episode of the eighth season of the American animated television series Family Guy. It originally aired on Fox in the United States on May 2, 2010. The episode features Brian and Stewie after they are accidentally trapped inside a bank vault over a weekend. The two try to kill each other, and are ultimately forced to reveal their true feelings about each other, and eventually go on to question each other's existence and purpose in life. Brian and Stewie become even closer to each other as time goes on, and climactically help each other survive being trapped inside the vault. The bottle episode breaks from the show's usual set-up, and is the only episode of the series not to feature any music or use any cutaway gags with Brian and Stewie being the only two characters featured in the entire episode. In repeats of the episode there is no main title sequence, nor is any music played over the end credits.


"Brian & Stewie" was written by Gary Janetti and directed by Dominic Bianchi. The episode received mostly positive reviews from critics for its serious dialogue and development of the two characters and their relationship, although it attracted controversy and criticism from the Parents Television Council for a sequence in which Brian eats Stewie's feces and vomit. According to Nielsen ratings, it was viewed in 7.68 million homes in its original airing. The episode aired along with a series of musical numbers from throughout the show's eight seasons. "Brian & Stewie" was released on DVD along with ten other episodes from the season on December 13, 2011.


Awaking from his nap, Brian decides to drink a bottle of Glenfiddich scotch whisky that he had stored in his deposit box. He offers Stewie a sip, and they both become so drunk that Brian agrees to pierce Stewie's ear with a pin from his sweater, leaving him with a bloodied ear for the rest of the episode. While talking, Brian revealed he voted for John McCain. Stewie and Brian discuss The Dog Whisperer and Cesar Millan, and Brian explains that he is inspired by Millan's philosophy about dogs' instinctive ability to live in the present and with purpose. Stewie, however, points out that Brian himself does not appear to live with any specific purpose. Angered, Brian begins insulting Stewie, who bitterly retaliates by revealing that he could have gone all day without having his diaper changed, and only thinks of Brian as a passing amusement and "the best of a bad situation". Stewie dares Brian to shoot him with the revolver in the deposit box. Stewie prematurely causes the gun to discharge, causing the bullet to randomly ricochet off the vault walls, forcing the two under the table to wait for the bullet to stop.


The episode was written by series consulting producer Gary Janetti as his second episode of the season,[2] and directed by series regular Dominic Bianchi, also in his second episode of the season.[3] In an interview with Forbes, series producer Kara Vallow revealed that the plot was inspired by an episode of the CBS sitcom All in the Family entitled "Archie in the Cellar," in which Archie Bunker is locked in a cellar, breaking from the show's usual storyline. Vallow and Family Guy creator Seth MacFarlane were fans of All in the Family during its original airing and came up with the original concept for the episode.[4] Vallow went on to state that the episode "[is] like a one-act stage play in a way," because it "[doesn't] rely on our standard cutaways and gags."[4] In a first for the series, the only voice actor to perform in the episode was series creator and executive producer Seth MacFarlane, who portrays both characters.[5] In addition, neither composer Ron Jones nor composer Walter Murphy contributed any background music to the episode whatsoever.[6] The writer of the episode, Gary Janetti, wrote the episode based on a loose script written by MacFarlane, as well as various phone conversations about the structure of the storyline, and the various acts.[2]


In its initial airing, the episode aired with a framing device involving Stewie and Brian standing in front of a red curtain and addressing the television audience. The two begin the program by introducing the "very special" episode and, after the episode aired, conclude it by introducing a series of musical numbers.[5] Together, the episode and musical number aired as an hour-long special, in celebration of a week-long "Fox Rocks" television event.[9] The initial airing included musical numbers from the fourth-season episode "The Fat Guy Strangler", the sixth-season episode "Play It Again, Brian", and the eighth-season episode "Business Guy", as well as other numbers, including "You've Got A Lot to See" from "Brian Wallows and Peter's Swallows", "Shipoopi" from "Patriot Games", and "My Drunken Irish Dad" from the episode "Peter's Two Dads".[4][10][11] In repeats of the episode the usual main title sequence is replaced by a still shot of the show's logo on a black background, whilst the end credits are shown without any musical accompaniment.


In addition to "Archie in the Cellar", the plot of the episode is inspired by the All in the Family episode "a bank vault and is knocked unconscious. In the episode, Henry Bemis is reading a copy of David Copperfield, which Brian also reads during the episode.[5][12]


" The episode is essentially Seth MacFarlane talking to himself for a half hour, with no cutaway gags, very little music, and no characters other than Brian and Stewie. It's a big change from the usual and I have to say I like it. The old shtick was getting very tired, and the past few episodes showed a remarkable lack of ingenuity and real humor, but the story here has a lot going for it."


Stewart "Stewie" Gilligan Griffin[1] is a fictional character from the animated television series Family Guy. He is voiced by the series creator Seth MacFarlane and first appeared on television, along with the rest of the Griffin family, in a 15-minute short on December 20, 1998. Stewie was created and designed by MacFarlane himself, who was asked to pitch a pilot to the Fox Broadcasting Company, based on The Life of Larry and Larry & Steve, two shorts made by MacFarlane featuring a middle-aged man named Larry and an intellectual dog, Steve. After the pilot was given the green light, the Griffin family appeared in the episode "Death Has a Shadow".


Stewie is a highly precocious toddler who talks and acts as an adult. He began the series as a megalomaniacal sociopath, initially obsessed with violence, matricide, and world domination. He is the third child of Peter and Lois Griffin, the youngest brother of Meg, and the younger brother of Chris. Throughout the series, particularly following the two episode arc "Stewie Kills Lois" and "Lois Kills Stewie", the violent aspects of Stewie's personality were toned down, and he has evolved into an eccentric, friendly, bisexual and flamboyant scamp (something possibly foreshadowed in the direct-to-video film Stewie Griffin: The Untold Story). He has also come to have a very close friendship with the family's anthropomorphic dog, Brian, whom he originally used to antagonize in the earliest episodes. Stewie is considered to be the show's breakout character and has received numerous award nominations from writers such as Jodiss Pierre.[2]


Stewie Griffin is portrayed as a two-year-old prodigy who has a sophisticated voice and can speak very fluently in an upper-class English accent with quite advanced vocabulary.[3] He reaches his first birthday in the season 1 episode "Chitty Chitty Death Bang", and we see the family celebrate Stewie's birthday in a cutaway gag in the season 12 episode "Chap Stewie". As Stewie's first birthday was celebrated in the episode "Chitty Chitty Death Bang", it is safe to assume that it was Stewie's second first birthday in the episode "Chap Stewie". Very highly literate and able to cite pop culture references that long predate his birth, Stewie is also entranced by Raffi and Teletubbies.


Stewie's mastery of physics and mechanical engineering is quite extraordinary and at a level of science fiction. He has constructed advanced fighter-jets, mind control devices, a weather control device, a teleportation device, robots, clones, a working Transporter device from Star Trek, time machines, a Multiverse Transporter, a shrinking pod,[5] as well as an assortment of weapons including lasers, rocket launchers, and crossbows. Stewie employs these to cope with the perceived stresses of infant life (such as teething pain, and eating broccoli)[6] and to murder his mother, Lois, with mixed success at best depending on the objective. As made clear in the pilot episode, Stewie's matricidal tendencies are a result of Lois constantly and unwittingly thwarting his schemes, and so he desires to kill her to carry out his plans without her interference.


Stewie eventually realizes his dreams of matricide and world domination in the sixth season two-part episode "Stewie Kills Lois" and "Lois Kills Stewie". The events are reverted in a deus ex machina ending, where most of the story turns out to be a computer simulation. Because of the rather disastrous ending for himself in the simulation, being shot and killed by Peter, he decides to put aside his outlandish plans of matricide and world domination for the time being.


In the more recent seasons, Stewie has a larger amount of freedom from his parents, usually spending much of his time with Brian. This extends to the point of his ability to keep pigs from parallel universes ("Road to the Multiverse") or take part in the television series Jolly Farm ("Go Stewie Go"), as compared to the first season, in which his plans were constantly hindered by Lois. In "The Hand That Rocks the Wheelchair", Stewie inadvertently clones an evil twin of himself after trying to increase his evil nature. By the end of the episode, it is suggested that the original Stewie may have been unknowingly killed by Brian (as he cannot tell them apart) and Stewie turns to the camera with glowing yellow eyes (reminiscent of Michael Jackson's "Thriller"). But so far, the Stewie has recently seen in "Trading Places", the follow-up episode, he still seems to have his mostly harmless eccentricity, shown when he asks Brian if he wants to trade places with him for fun. 041b061a72


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