top of page

Legacy Members

Public·72 OGs

Neonomicon: Download Alan Moore's Award-Winning Horror Comic in CBR Format



Neonomicon: A Lovecraftian Horror Comic by Alan Moore




If you are a fan of horror comics, you have probably heard of Neonomicon, a four-issue comic book limited series written by Alan Moore and illustrated by Jacen Burrows, published by Avatar Press in 2010. But what is Neonomicon exactly, and why is it worth reading? In this article, we will explore the plot, the art, the reception, and the legacy of this controversial comic that delves into the dark and twisted world of H.P. Lovecraft's Cthulhu Mythos.




alan moore neonomicon download cbr comics


Download File: https://www.google.com/url?q=https%3A%2F%2Ftinourl.com%2F2ucUCQ&sa=D&sntz=1&usg=AOvVaw33IaQaDgStN7pyIZDolSNC



The Plot of Neonomicon




Neonomicon is a sequel to Moore's previous story The Courtyard, which was published as a two-issue comic in 2003. The Courtyard follows Aldo Sax, an FBI agent who investigates a series of ritual murders that seem to be connected by a mysterious drug and a cryptic language. Sax eventually succumbs to the drug and the language, becoming a killer himself and ending up in a psychiatric hospital.


Neonomicon picks up where The Courtyard left off, with two new FBI agents, Gordon Lamper and Merril Brears, who are assigned to interrogate Sax about his motives. Sax speaks only in gibberish, which turns out to be Aklo, an ancient language that can alter reality. Lamper and Brears trace Sax's steps to Red Hook, Brooklyn, where they encounter Johnny Carcosa, a drug dealer who claims to be an avatar of Nyarlathotep, one of the Great Old Ones. Carcosa escapes into a mural that leads to another dimension.


Lamper and Brears follow Carcosa's trail to Salem, Massachusetts, where they go undercover as a married couple to infiltrate a cult that worships the Old Ones. The cultists are members of the Esoteric Order of Dagon, who regularly engage in sex rituals with fish-like creatures called Deep Ones. Lamper and Brears are exposed as agents and captured by the cultists. Lamper is killed by them, while Brears is locked in a room with a Deep One that rapes her repeatedly for several days.


During her captivity, Brears has a vision of Carcosa, who reveals that the events in Lovecraft's fiction are actually premonitions of a future apocalypse that will be triggered by the birth of her child, Cthulhu. The Deep One helps her escape through underwater tunnels into the ocean. Brears contacts the FBI and leads them to raid the cult's headquarters. They find that the cultists and the Deep One have been killed by another creature, which is shot by the agents.


Three months later, Brears visits Sax in the hospital and tells him that she is pregnant with the Deep One's child. She also tells him that she can understand Aklo, which is based on R'lyehian, the language of Yuggoth. She realizes that she has become part of a cosmic plan that will unleash unspeakable horrors upon the world.


The Connection to The Courtyard




Neonomicon is a direct continuation of Moore's earlier story The Courtyard, which was based on a prose story he wrote in 1994 for an anthology called Songs of the Dying Earth. Moore later adapted his story into a comic script, which was illustrated by Jacen Burrows and published by Avatar Press in 2003.


The Courtyard introduces the concept of Aklo, a language that can alter perception and reality. Moore borrowed this idea from Arthur Machen, a Welsh writer who influenced Lovecraft and other horror authors. Machen used Aklo as a secret language of witches and occultists in his stories, such as The White People and The Great God Pan.


The Courtyard also references several Lovecraftian elements, such as the drug Liao, which is derived from a fungus that grows on Yuggoth, the ninth planet in Lovecraft's solar system. The drug allows the user to see beyond the veil of reality and communicate with the Old Ones. The drug is named after Liao Wang, a Chinese sorcerer who appears in Lovecraft's story The Thing on the Doorstep.


Another Lovecraftian element in The Courtyard is Johnny Carcosa, who claims to be an avatar of Nyarlathotep, the Crawling Chaos. Nyarlathotep is one of the most prominent and active of the Old Ones, who often takes human form and manipulates humans for his own amusement. Carcosa is a reference to a fictional city that appears in several stories by Robert W. Chambers, Ambrose Bierce, and others. Lovecraft mentioned Carcosa in his story The Whisperer in Darkness, where he linked it to Hastur, another Old One.


The Influence of H.P. Lovecraft




Neonomicon is heavily influenced by the works of H.P. Lovecraft, an American writer who created a vast and interconnected mythology of cosmic horror known as the Cthulhu Mythos. Lovecraft wrote dozens of stories that featured ancient and powerful beings called the Old Ones, who ruled the earth before humanity and who still lurk in hidden places, waiting for their return.


Neonomicon draws from several Lovecraftian stories, such as The Shadow Out of Time, The Dunwich Horror, The Call of Cthulhu, The Shadow Over Innsmouth, The Haunter of the Dark, and others. Moore incorporates many elements from these stories into his comic, such as:



  • Cthulhu, the most famous of the Old Ones, who lies dreaming in his sunken city of R'lyeh. Cthulhu is described as a gigantic creature with a humanoid body, an octopus-like head, wings, and claws. He is worshipped by cults around the world, who seek to awaken him and bring about his reign of madness and destruction.



  • The Deep Ones, a race of fish-like humanoids who live in the depths of the ocean. They are hybrids of humans and an ancient sea god named Dagon. They can interbreed with humans and produce offspring that gradually transform into Deep Ones. They are the main antagonists in Lovecraft's story The Shadow Over Innsmouth, where they have taken over a coastal town and plan to overthrow humanity.



  • Nyarlathotep, the Crawling Chaos, who is one of the most active and malevolent of the Old Ones. He often takes human form and interacts with humans, either as a messenger of the other Old Ones or as a trickster who enjoys causing chaos and suffering. He has many forms and names, such as Johnny Carcosa, Randolph Carter, ignoring it, or embracing it.



Neonomicon uses various symbols to convey these themes, such as:



  • The fish: The fish is a symbol of the Deep Ones and their cult, as well as their connection to the sea and the Old Ones. The fish is also a symbol of fertility, sexuality, and transformation, as seen in the interbreeding between humans and Deep Ones and the pregnancy of Brears.



  • The eye: The eye is a symbol of perception, knowledge, and madness. The eye is also a symbol of Nyarlathotep and his influence, as seen in the mural, the drug, the language, and the vision of Carcosa.



  • The spiral: The spiral is a symbol of the cycle of history, destiny, and doom. The spiral is also a symbol of R'lyeh and Cthulhu, as seen in the Necronomicon, the prophecy, and the apocalypse.



The Art of Neonomicon




Neonomicon is not only written by Alan Moore, but also illustrated by Jacen Burrows, a talented artist who has worked with Moore on several projects, such as The Courtyard, Providence, and Crossed +100. Burrows brings Moore's script to life with his realistic, detailed, and gorey art style.


The Style and Technique of Burrows




Burrows uses various techniques to create a vivid and immersive visual experience for the readers. Some of these techniques are:



  • Color: Burrows uses color to create contrast, mood, and atmosphere. He uses bright colors to highlight important elements or characters, such as the red of blood or the yellow of Carcosa's coat. He also uses dark colors to create a sense of dread, mystery, or horror, such as the black of night or the green of the sea.



  • Panel layout: Burrows uses panel layout to control the pace, rhythm, and focus of the story. He uses regular grids to create a sense of order, stability, or clarity. He also uses irregular or broken grids to create a sense of chaos, confusion, or shock.



  • Perspective: Burrows uses perspective to create depth, scale, and angle. He uses wide shots to show the setting or the action. He also uses close-ups to show the emotion or the detail.



  • Facial expressions: Burrows uses facial expressions to convey the personality, mood, and reaction of the characters. He uses realistic and subtle expressions to show the nuances of human emotion. He also uses exaggerated and grotesque expressions to show the extremes of human emotion.



The Controversy over Burrows' Art




Burrows' art is not without controversy. His graphic depiction of rape and violence has sparked criticism and censorship from some readers, critics, and authorities. Some have accused him of being gratuitous, exploitative, or misogynistic, while others have defended him as being faithful, realistic, or artistic. Some have also questioned the necessity or the relevance of the rape scenes to the story or the themes.


One of the most notable cases of controversy over Burrows' art was in 2012, when a library in South Carolina removed Neonomicon from its shelves after a 14-year-old girl borrowed it and her mother complained about its content. The library's executive director overruled a committee's decision to keep the book, saying that it was "inappropriate" for the library's collection. This decision was criticized by free speech organizations, such as the Comic Book Legal Defense Fund, the National Coalition Against Censorship, and the American Booksellers Foundation for Free Expression, who called it "censorship" and argued that the book had artistic value and merit.


The Collaboration between Moore and Burrows




Burrows' art is not only controversial, but also collaborative. He worked closely with Moore to create Neonomicon, following his script and instructions, but also adding his own input and ideas. Burrows said that Moore gave him a lot of freedom and trust, but also a lot of guidance and feedback. He said that Moore was very detailed and specific in his script, but also open to suggestions and changes.


Burrows also said that he learned a lot from working with Moore, who is widely regarded as one of the greatest comic book writers of all time. He said that Moore taught him how to tell a story visually, how to use symbolism and subtext, and how to create mood and atmosphere. He also said that Moore challenged him to push his boundaries and improve his skills as an artist.


The Reception and Legacy of Neonomicon




Neonomicon was received with mixed reactions by critics, fans, and awards. Some praised it for its storytelling, art, and innovation, while others criticized it for its content, style, and message. Some loved it for its homage to Lovecraft, while others hated it for its deviation from Lovecraft.


The Critical Response to Neonomicon




Neonomicon received mostly positive reviews from critics, who appreciated its complexity, depth, and originality. For example, Rich Johnston of Bleeding Cool called it "a masterpiece", saying that it was "a work of such intelligence, craft and skill that it deserves to be read by everyone". He also said that it was "a work of horror that actually horrifies". Similarly, Greg Burgas of Comic Book Resources called it "a brilliant comic", saying that it was "a fascinating exploration of human nature and how we deal with things we can't understand". He also said that it was "a stunning achievement in comics".


However, Neonomicon also received some negative reviews from critics, who disliked its graphicness, bleakness, and nihilism. For example, For example, Chris Sims of Comics Alliance called it "a terrible comic", saying that it was "a poorly executed, needlessly ugly story that revels in its own awfulness". He also said that it was "a failure on every level". Similarly, Laura Sneddon of The Beat called it "a disappointment", saying that it was "a misogynistic, racist and homophobic mess". She also said that it was "a waste of talent and time".


The Fan Reaction to Neonomicon




Neonomicon also received mixed reactions from fans, who were divided by their expectations, preferences, and opinions. Some fans enjoyed it for its homage to Lovecraft, its complexity, its art, and its innovation, while others disliked it for its deviation from Lovecraft, its graphicness, its style, and its message. Some fans loved it for its horror, its mystery, its symbolism, and its philosophy, while others hated it for its horror, its confusion, its vulgarity, and its nihilism.


Some fans also compared Neonomicon to Moore's other works, such as Watchmen, V for Vendetta, From Hell, The League of Extraordinary Gentlemen, and Providence. Some fans praised it as one of Moore's best works, while others criticized it as one of Moore's worst works. Some fans also debated whether Neonomicon was a serious or a satirical work, whether it was a tribute or a critique of Lovecraft, and whether it was a masterpiece or a disaster.


The Awards and Recognition for Neonomicon




Neonomicon was recognized by some awards and organizations for its quality and merit. The most notable award that Neonomicon won was the Bram Stoker Award for Superior Achievement in a Graphic Novel in 2012. The Bram Stoker Award is an annual award presented by the Horror Writers Association to honor the best horror works in various categories. Neonomicon beat other nominees such as Anya's Ghost by Vera Brosgol, Green River Killer by Jeff Jensen and Jonathan Case, Marvel Universe vs. Wolverine by Jonathan Maberry and Laurence Campbell, and The Walking Dead Vol. 14 by Robert Kirkman and Charlie Adlard.


Neonomicon was also nominated for other awards, such as the British Fantasy Award for Best Comic/Graphic Novel in 2011 and the Ghastly Award for Best Limited Series in 2010. However, it did not win these awards. The British Fantasy Award is an annual award presented by the British Fantasy Society to honor the best fantasy works in various categories. The Ghastly Award is an annual award presented by a panel of horror comic professionals to honor the best horror comics in various categories.


Conclusion




Neonomicon is a comic book that is not for the faint of heart or the easily offended. It is a comic book that challenges the reader with its graphic depiction of rape and violence, its complex and confusing plot, its dark and bleak themes, and its controversial and provocative message. It is also a comic book that rewards the reader with its brilliant storytelling, its stunning art, its homage to Lovecraft, and its innovation and originality. It is a comic book that is not for everyone, but for those who dare to read it, it is a comic book that will leave a lasting impression.


If you are a fan of horror comics, Lovecraft, or Moore, you should give Neonomicon a try. But be warned: it is not a comic book that you will forget easily.


FAQs




Here are some frequently asked questions about Neonomicon with brief answers:



Q: Where can I download Neonomicon in CBR format?


  • A: You can download Neonomicon in CBR format from various online sources, such as torrent sites, file-sharing sites, or comic book sites. However, you should be aware that downloading Neonomicon in CBR format may be illegal, unethical, or unsafe. You may be violating the copyright laws, the moral rights of the creators, or the security of your device. The best way to read Neonomicon is to buy it legally from a reputable seller, such as Amazon, Comixology, or Avatar Press.



Q: Is Neonomicon part of a series?


  • A: Neonomicon is part of a series of comics by Alan Moore and Jacen Burrows that explore the Cthulhu Mythos. The first part is The Courtyard, which was published in 2003 and adapted from a prose story by Moore. The second part is Neonomicon itself, which was published in 2010 and written by Moore as a comic. The third part is Providence, which was published from 2015 to 2017 and is a prequel to both The Courtyard and Neonomicon.



Q: Is Neonomicon canon to Lovecraft's Cthulhu Mythos?


  • A: Neonomicon is not canon to Lovecraft's Cthulhu Mythos. It is an adaptation and an interpretation of Lovecraft's stories by Alan Moore and Jacen Burrows. It uses many elements from Lovecraft's mythology, such as the Old Ones, the Deep Ones, the Necronomicon, and others, but it also adds its own elements, such as Aklo, Carcosa, and Cthulhu's child. It also changes some aspects of Lovecraft's stories, such as the dates, the locations, and the outcomes. Neonomicon is a tribute to Lovecraft, but also a critique of him.



Q: What is the meaning of the title Neonomicon?


  • A: The title Neonomicon is a combination of two words: neo and nomicon. Neo means new or modern, while nomicon means book or writing. The title suggests that the comic is a new or modern version of the Necronomicon, the book of the dead that contains the secrets and prophecies of the Old Ones. The title also suggests that the comic is a new or modern take on Lovecraft's Cthulhu Mythos.



Q: What is the message of Neonomicon?


A: The message of Neonomicon is open to interpretation and debate. Some possible messages are:



  • The universe is vast, indifferent, and hostile to human life.



  • Humans are insignificant and powerless in the face of cosmic forces.



  • Humans can be corrupted by drugs, violence, sex, or madness.



  • Humans can only cope with horror by denying it, ignoring it, or embracing it.



  • Humans are part of a cosmic plan that will unleash unspeakable horrors upon the world.



  • Humans have no free will or choice in their fate.



Of course, these are not the only possible messages of Neonomicon. You may find your own message or meaning in the comic, depending on your perspective, preference, and opinion. 71b2f0854b


About

Official community members pre 2023

OGs

bottom of page